Minggu, 20 Februari 2011

Free Download , by Mr. Tim Steele

Free Download , by Mr. Tim Steele

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Product details

File Size: 22949 KB

Print Length: 276 pages

Publication Date: March 28, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01DL0RGXE

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Amazon Best Sellers Rank:

#32,384 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I'm going to come out with a bold statement - I believe this is the closest I have come to achieving the management of my binge eating disorder. I've done all kinds of counselling/therapy, read just about every book there is, meds with nasty side effects, and nothing..nothing.. comes close to this. Anyone who has endured a true binge eating disorder will know the misery of this horrible affliction. The hack does something...I don't know what...but it re-sets my hungry brain, maybe it signals that I'm in a fed state, or satiety hormones or maybe I feel full and satisfied without that bloated yukky feeling that triggers BED. Who knows, all I know is it works for me. I start each week with a 3 day hack and then am able to spend the rest of the week eating like a normal human should, no thoughts of binging and craving only healthy meat and veggies. It is different to every mono diet hack out there. Who would have thought POTATOES would have this effect; it's crazy beyond belief.Thank you so much Tim; I'm so grateful to you, you have no idea how much. Please anyone out there with any binge eating issues maybe consider this hack. It goes well beyond the weight loss; in fact for me the weight loss is icing on the cake (or butter on the potato) it's the regulation of brain/head/hedonistic hunger that is it's true worth. Please, if you suffer from BED or have a loved one battling it, perhaps give this a try, nothing to lose.

This was (for me) the instant cure to a life-long battle with binge eating disorder. I was just trying it to see if I could lose some weight. I bought this and three other Kindle books at the same time and started here.I bought 3 bags of organic potatoes, five lbs. each. I figured I was going to need the "max" allowable. I baked two of the bags and boiled the third. Each of the three days I had more potatoes "left over" than the previous day. I ended up going four days, as I had fallen that far behind in my potato eating. This is pretty much where I settled. Three bags goes four days.The day after my first hack, I had gone four days on plain potatoes. I went "old school" and took the most restrictive variation of the program. (Also where I settled.) No salt, pepper, lemon juice...just 100% plain potato. So I was really looking forward to breakfast the next day with the family at their favorite greasy taco joint. I ordered three avocado tacos and a pancake. I was a little over full. Later that same day we had lunch at a Greek place and I ordered the falafel wrap and a salad. I ate about half of it and asked for a box. My wife remarked "That thing you are doing must be working!" She was right of course, I never ask for a box, unless I am greedily taking somebody else's leftovers, because I never have anything left over. I used to eat the garnish, and even the cloth napkin was looking nervous.My wife's observation had me looking at how I ate for the next three days with a critical eye. I was eating to "satisfied" and finding satisfied well before "painfully gorged" which was something I had never experienced in my life. A switch had been flipped.I don't know how it works, but I have a theory. People like me are junkies with food because we don't get the "reward" signal as fast as normal people. Our brains haven't told us we are done yet. In fact, they are telling us we MUST keep going. Whatever scoreboard keeps track of "satisfaction points" isn't counting everything, or counts it slowly.Plain potatoes are bland. They serve the purpose, but the reward isn't there at all. Without those points racking up in the brain, you just stop. And the next time you stop a little sooner. Then you settle at the right place. That scoreboard is getting recalibrated! For me that took the initial four days of my first hack cycle. Now when I went back to regular eating, the reward-feedback-satisfaction loop had been lowered. I stopped getting the "you must keep going" impulse much sooner than I normally would. I was NOT at a normal level. I was still putting away more calories than a healthy human being, but that first cycle dropped my impulse to eat significantly enough that other people were noticing. After four cycles of four days each, I was eating like a normal human being instead of a rescue dog.Now I know Tim has variations. I know Tim allows salt. But the focus of Tim's book is weight loss. It is my firm belief that doing the restrictive version of this program, lowering and simplifying the taste as much as possible, is what you want to do if your goal is recovering from food addiction. I also got much better results when I limited the richness of the foods I ate on my non-hack days. You will be surprised how great some steamed broccoli tastes after four days of plain boiled potatoes. And that great taste you are now registering from healthy food starts racking up the points in that scoreboard keeping track of how close to "satisfied" you are.

I went from 223.5 to 165 in 9 months. I used the potatoes and added low fat, no salt added vegetables. At 5'9" my starting weight was obese, then went to overweight recently I am at top of normal weight. Wow, in 9 months from obese to normal. Not bad.

I am a nurse, so I am skeptical of so many claims, but when I read about Penn Gillette losing over 100 pounds on this I had to further investigate.I ordered the book and the science behind it made so much sense. I think this book may have changed my life! Now I'm not going to lie, eating nothing but potatoes for 3 days is very monotonous, but the results are worth it. So far I have been following it for 27 days, and of those I ate potatoes 11. On the rest of the days I ate normally (within reason), and 4 of those days I even ate fairly substantially as it was a mini-vacation, and to date I have lost 10 pounds. The beauty of this diet is several reasons. For one, it is easy. Buy 10 pounds of potatoes and boil them. His book has a recipe for a gravy you can make, which I do. Eat 2-5 pounds a day, for 3-5 days (I do 3 in a row). Can't get much easier than that. Secondly, it helps control cravings. I find my desire for sugar is much lower, and the days I eat normally everything tastes so good I am pretty happy to just eat normally. Third, the days I eat potatoes only I am not starving. It may be boring, but it fills me up. Fourth, I do feel I am burning fat. I can see it in my body, and in how my clothes fit. Lastly, I think it is changing my metabolism. Every time I go off it I am nervous when I get on the scale after 4 days of eating, then am totally surprised and relieved that I don't gain it back! I am planning on losing another 10 pounds or so, then I think I can do it one day a week to maintain (maybe 2 if it is vacation, heavy night out, etc). I have struggled so hard since I hit mid 50s to lose weight, I really feel this is the diet I have been looking for. Highly recommend!!!!!!!

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Sabtu, 19 Februari 2011

Download Saronna's GiftBy Carmen Webster Buxton

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Saronna's GiftBy Carmen Webster Buxton

Saronna Maynard never expected to be sold into an off-world household, anymore than Duncan Trushenko expected to return from a business trip to find that his father had bought a companion for him. Saronna is grateful, in many ways. Her new protector is too horrified by the customs of Krueger’s World to wonder why her father could never find a husband for her. And off-worlders don’t believe in witches. The more time Saronna spends with Duncan, the harder it is for her to believe all men are as evil as her mother taught her. But safer or not, Saronna is still intent on keeping her secrets, because after all, she’s still on Krueger’s World.

As Duncan and Saronna learn more about each other's culture, they come to like each other more and more. But the differences in their manners, mores, and educational backgrounds make for a rocky path to deeper feelings. The story has the feel of a historical romance. Imagine if Georgette Heyer had written science fiction!

  • Sales Rank: #363412 in eBooks
  • Published on: 2015-01-10
  • Released on: 2015-01-10
  • Format: Kindle eBook

Review
"The author immediately drops us into the middle of the action of this coming-of-age/semi-first-contact story as Saronna's father is taking her to be sold to an off-world trader in the Strangers Quarter on Krueger's World. We learn that the planet is a patriarchal, backward world practicing polygamy, and that women are nothing more than chattel--better-behaved if they are beaten regularly . . "
"I loved the author's ability to seamlessly present information in a understated manner, comparing the harshness of Saronna's life as it was before, with the luxury of it now, without sounding preachy." 
   -- NORM ZEEMAN, Sci-Fi Romance Quarterly

From the Back Cover
Saronna Maynard and Duncan Trushenko have very little in common, except for living in the same house. Saronna grew up in a walled house in a small village outside of New Jerusalem, the largest city on Krueger's World. Duncan grew up on many worlds, and has traveled the galaxy. He is dumbstruck to return from a business trip and find that his father has purchased a companion for him.

Saronna is terrified to be sold into an off-world household, but in a very short time she realizes she might be better off--and safer--in Duncan's house than in her father's. For one thing, Duncan doesn't believe in witches. Also, the more she's with Duncan, the harder it is for her to believe all men are as evil as her mother taught her. But safer or not, Saronna is still intent on keeping her secrets. After all, she's still on Krueger's World.

About the Author
Carmen Webster Buxton was born in Honolulu, and had a bi-coastal childhood, as her father was in the US Navy. She now lives in Maryland, with her husband and a cat with the unlikely name of Carbomb.

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Kamis, 17 Februari 2011

Download A Daughter's PromiseBy Julie Ellis

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Book by Ellis, Julie

  • Sales Rank: #4068174 in Books
  • Brand: Brand: Arbor House Pub Co
  • Published on: 1988-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.50" w x 1.75" l,
  • Binding: Hardcover
  • 470 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
The fortunes of two sisters, Iris and Laura Roth, are chronicled in this formulaic, multifaceted saga by the author of Rich Is Better. The girls were teenagers in 1924 when their father Jacob, convicted of raping and murdering a 14-year-old millworker in Magnolia, Ga., was seized by the KKK and lynchedan obvious reference to the notorious Leo Frank case. With a small loan from the frightened Jewish community, both girls are quickly sent to New York, where, traumatized but resilient, they each resolve to address the past in different ways. Laura is determined to return to Magnolia and clear their father's name. Iris wants total escape, quick wealth and a life in high society. After an abortive film career she marries a wealthy but kinky British lord. Laura becomes an attorney and returns anonymously to Georgia with her two small children. Her future as a female Jewish lawyer in Magnolia during the Depression is bleak, so with the aid of a dedicated staff and her sister's invaluable network of social and political connections, she builds a real estate empire. Ellis's tale contains dozens of sub-plots and numerous characters up and down the social spectrum. Though predictable, the narrative will please romance fans, to whom it will hardly matter that the resolution of the murder is compromised and contrived.
Copyright 1988 Reed Business Information, Inc.

From Library Journal
Basing its opening on the real-life Mary Phagan/Leo Frank murder case, this novel tells of Laura and Iris, orphaned daughters of a Southern Jew, who was lynched after being unjustly convicted of murder. Forced from their home, the girls make a new life for themselves in New York: Iris becomes the quintessential Twenties flapper while Laura marries and goes to law school, vowing to avenge her father. Though both deal with assorted disasters, Iris acquires a title and a fortune and Laura, a real estate empire; and then more troubles loom on the horizon. Though there's nothing new in plot or characters and the writing is sometimes awkward, the novel is still interesting. Recommended for popular fiction collections. Beth Ann Mills, New Rochelle P.L.,
Copyright 1988 Reed Business Information, Inc.

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Sabtu, 05 Februari 2011

PDF Ebook All the Leader You Can Be: The Science of Achieving Extraordinary Executive PresenceBy Suzanne Bates

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All the Leader You Can Be: The Science of Achieving Extraordinary Executive PresenceBy Suzanne Bates

The book that cracks the code on executive presence: what it is, why it matters, and how you can achieve it.

 

You know it when you see it. That rare combination of qualities that makes a truly great leader. Until now, executive presence has been hard to define and even harder to develop. But after years of extensive research, executive coach and bestselling author Suzanne Bates and her team have identified the 15 traits you need to be all the leader you can be.

 

Using the research-based, scientifically-grounded Bates Executive Presence Index―Bates ExPI™―you can assess your ability to influence results and maximize your impact, scientifically and systematically. With this proven approach, you can:

 

* Develop your presence in and out of the boardroom

* Engage, inspire, align, and move others to act and succeed

* Strengthen teams, drive change, and lead with incredible confidence

* Make a real and lasting impact on your company, your career, and your life

 

Bates’ groundbreaking approach to enhancing executive presence is not a one-size-fits-all plan. Since every leader is different, the book shows you how to measure your individual qualities using a three-dimensional model of your character, substance, and style. You’ll discover how perceptions of 15 distinct facets of your leadership style, such as authenticity, integrity, composure, vision, and intentionality, are proven to help you drive results. . You’ll learn how to leverage your strengths, improve your weaknesses, and develop an executive presence that is uniquely your own.

 

Whether you’re taking on a new executive position, facing new and exciting challenges, trying to build better and stronger team, or developing new emerging leaders within your organization, All the Leader You Can Be has all the guidance you need to achieve extraordinary executive presence.

 

 

  • Sales Rank: #7138 in Books
  • Published on: 2016-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.20" w x 5.90" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

From the Back Cover

“Through a scientifically-grounded approach, they’ve identified the core elements of 'executive presence;' and through a clarifying set of illustrations, they’ve made it attainable.”

--Robert B. Cialdini, author of Influence

  

“All the Leader You Can Be is a clear, candid, and research-based look at what it takes to become a great leader. Bates has written a heretofore unseen definitive resource on what executive presence is and how to achieve it!”

--­ Marshall Goldsmith is the #1 New York Times bestselling author of Triggers, MOJO and What Got You Here Won’t Get You There

 

“Bates has codified executive presence.  Her 3 domains and 15 dimensions of leadership behavior will help leaders recognize, assess, and improve their ability to lead.”

--Dave Ulrich, Rensis Likert Professor, School of Business, University of Michigan Partner, RBL Group

 

"All the Leader You Can Be deftly translates the ‘you know it when you see it’ aspects of leadership and executive presence into specific behaviors and attributes that can be identified and measured - the pathway to change.   The book demystifies a ‘black box’ area of leadership development by defining tools for success that are accessible to all."

--Lisa G. Bisaccia, EVP & Chief Human Resources Officer, CVS Health

 

"Too many workers are thrown into leadership roles with absolutely no idea of what it takes to be even a mediocre leader, let alone a great one.  The Bates Model of Executive Presence will help readers learn, evaluate and constantly improve their leadership skills."  

--Bill Capodagli and Lynn Jackson, authors of The Disney Way

“In this book, Suzanne Bates clearly defines in tangible and easy to understand concepts the elements of leadership presence and how to apply it.  The Bates model brings clarity to the focus of executive presence and offers a definition and application grounded in research.  If you read one book on leadership and leadership presence – this is THE one!”

-- R. Matt Davis, Corporate Vice President, Global Public Affairs & Government Affairs, The Dow Chemical Company

 

“If you aspire to become an outstanding leader, this book is a must read. All the Leader You Can Be is a blueprint for building specific qualities all leaders need to establish an executive presence that will drive successful business results for their organization.”

--Tom Massey, author of The ABC’s of Effective Leadership

 

About the Author

Suzanne Bates is a CEOcoach, author, Certified Speaking Professional (CSP), former award-winning television news anchor, and CEO of Bates Communications, Inc. Her books include the bestselling Speak Like a CEO, Motivate Like a CEO, and Discover Your CEO Brand.

 

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All the Leader You Can Be: The Science of Achieving Extraordinary Executive PresenceBy Suzanne Bates PDF
All the Leader You Can Be: The Science of Achieving Extraordinary Executive PresenceBy Suzanne Bates PDF

Download Architecture and Interior Design Through the 18th Century: An Integrated HistoryBy Buie Harwood, Bridget May, Curt Sherman

Download Architecture and Interior Design Through the 18th Century: An Integrated HistoryBy Buie Harwood, Bridget May, Curt Sherman

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Architecture and Interior Design Through the 18th Century: An Integrated HistoryBy Buie Harwood, Bridget May, Curt Sherman

Architecture and Interior Design Through the 18th Century: An Integrated HistoryBy Buie Harwood, Bridget May, Curt Sherman


Architecture and Interior Design Through the 18th Century: An Integrated HistoryBy Buie Harwood, Bridget May, Curt Sherman


Download Architecture and Interior Design Through the 18th Century: An Integrated HistoryBy Buie Harwood, Bridget May, Curt Sherman

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Architecture and Interior Design Through the 18th Century: An Integrated HistoryBy Buie Harwood, Bridget May, Curt Sherman

Exceptionally comprehensive, this single- source reference allows readers to compare and contrast architecture, interior design, interior architectural features, design details, motifs, furniture, space planning, color, lighting, textiles, interior surface treatments, and decorative accessories through many centuries--from antiquity to the 18th century--from the many regions of the world. Additionally, it includes later interpretations of architecture, interiors, and furniture to illustrate the evolution of each stylistic influence. Each period is placed within a conceptual, cultural, historical, and social context, and the broad range of examples depicts high-style and domestic structures and furnishings that reflect residential, commercial, and institutional projects. The volume is extensively illustrated and features many illustrations diagrammed with explanatory notes highlighting specific design features. Cultural Precedents. Oriental (China, Japan). Antiquity (Egypt, Greece, Rome). Middle Ages (Early Christian, Byzantine, Islamic, Romanesque, Gothic). Renaissance (Italian Renaissance, Spanish Renaissance, French Renaissance, English Renaissance, American Colonial: England, American Colonial: Spanish, American Colonial: France, American Colonial: Germany, Holland). Baroque (European Baroque, Louis X1V, English Restoration). Rococo (Regencey & Louis XV, Neo-Pal & English Georgian, American Georgian). Early Neoclassic (Louis XVI, French Provincial, Late Georgian, American Federal). For interior design practitioners, furniture designers, design consultants, design manufacturers, and theater and film set designers, as well as those in the related fields of art history, architecture, material culture, museum studies, and history. Also of interest to historical societies, preservation groups, crafts people, design journalists, and the lay person with interest in design.

  • Sales Rank: #299830 in Books
  • Published on: 2001-12-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.12" h x 1.45" w x 8.48" l, 3.27 pounds
  • Binding: Hardcover
  • 576 pages

From the Back Cover

THE most complete survey of architecture, interiors, furniture, and decorative arts.

This 2 volume set spans the ages from antiquity to the present. A complete, integrated, and interdisciplinary reference for:

  • the built environment
  • space planning
  • color
  • lighting
  • interior design
  • interior architectural features
  • design details
  • motifs
  • furniture
  • space planning
  • color
  • lighting
  • textiles
  • interior surface treatments
  • decorative accessories

The unique scope allows comparison in all areas of design through the centuries. Narrative and graphics interweave design analysis with art and architectural history.

Innovations:
  • Graphic material features a wide diversity of illustrations, some common and some less well known.
  • Design diagramming highlights major design features allowing the reader to make visual connections between the content.
  • List of important buildings and interiors and important design practitioners is included to assist in additional study.
  • Color photographs serve as a needed resource for period study.
  • Later interpretations of the stylistic illustrations from subsequent centuries provide a new dimension to the study of design history.
  • Extensive reference list, glossary, and index offer flexibility and ease of use.

Excerpt. © Reprinted by permission. All rights reserved.

This book was written primarily to fulfill a need in interior design education and in related design disciplines. We are not aware of another book that allows the reader to compare and contrast architecture, interiors, furniture, and decorative arts through many centuries. We have tried to interweave a design analysis language with that of art and architectural history. Our intent is to provide a flexible, easy-to-use, and well-organized resource for those with a variety of interests. An extensive reference list, glossary, and index are included.

Our primary audience is students in interior design programs. However, this book will also be of use to interior design practitioners, furniture designers, design consultants, design manufacturers, and theater/film set designers, as well as to students and professionals in the related fields of art history, architecture, material culture, museum studies, and history. It may also be of interest to historical/ preservation societies, craftspeople, design journalists, and laypeople interested in design.

The development of this book evolved over a number of years through our college teaching experiences. We, and our colleagues, were continually frustrated by the lack of adequate resources to support the desired content, context, and comprehensiveness of design history. All of our shared ideas were realized here as we worked on the scope, organization, and presentation of this material. We hope that this effort fulfills a need for you and future generations who find the study of design history exciting. ACKNOWLEDGMENTS

This book has been an enormous endeavor and a formidable challenge. We would like to offer our grateful acknowledgment to those who provided valuable assistance though its development. Special thanks to each of you for all of your wonderful contributions!

To our Prentice Hall/Pearson Education support team who had faith in us and made the book happen: Vern Anthony, Judith Casino, Elizabeth Sugg, Linda Zuk, Denise Brown, and Patsy Fortney.

To our many students who inspired us to undertake this project: those who studied with Buie at Virginia Commonwealth University, the University of Texas at Austin, and North Texas State University; those who studied with Bridget at Marymount University, the University of Georgia at Athens, and Mississippi University for Women; and those who studied with Curt at Winthrop University, San Diego State University, and Washington State University.

To our educational institutions who in various ways supported our efforts: Virginia Commonwealth University, Marymount University, and Winthrop University.

To our friends who offered their expertise, support, resources, interest, and listening ears: Alice Burmeister, Peg De Lamiter, Laura Durfresne, George Fuller, Alan Huston, Dianne Jackman, Philip Moody, Ardis Rewerts, Nancy Templeman, and our family within the Interior Design Educators Council (IDEC).

To our special library resource friends: Carl Vuncannon and his staff at the Bernice Bienenstock Furniture Library in High Point, North Carolina, who opened that resource to us; Suzanne Freeman at the Virginia Museum of Fine Arts in Richmond, who provided a wealth of information; and Ray Bonis in Special Collections, Cabell Library at Virginia Commonwealth University, who provided valuable assistance.

To our individual family members who offered ongoing support, listened to complaints, and provided expertise when needed: Judy Sherman Endeman, Frith Harwood, Robert Harwood, Hope Harwood Liebke, Dottie May, and Henry May. To those early illustrators and photographers who recorded their environments as well as earlier ones of the 18th, 19th; and 20th centuries. As shown herein, their depictions of architecture, interiors, furnishings, and costumes were of enormous value in providing a resource archive of the past.

And, finally, to our wonderful and talented artist and former interior design student: Chris Good. You did a great job!

Excerpt. © Reprinted by permission. All rights reserved.

This book was written primarily to fulfill a need in interior design education and in related design disciplines. We are not aware of another book that allows the reader to compare and contrast architecture, interiors, furniture, and decorative arts through many centuries. We have tried to interweave a design analysis language with that of art and architectural history. Our intent is to provide a flexible, easy-to-use, and well-organized resource for those with a variety of interests. An extensive reference list, glossary, and index are included.

Our primary audience is students in interior design programs. However, this book will also be of use to interior design practitioners, furniture designers, design consultants, design manufacturers, and theater/film set designers, as well as to students and professionals in the related fields of art history, architecture, material culture, museum studies, and history. It may also be of interest to historical/ preservation societies, craftspeople, design journalists, and laypeople interested in design.

The development of this book evolved over a number of years through our college teaching experiences. We, and our colleagues, were continually frustrated by the lack of adequate resources to support the desired content, context, and comprehensiveness of design history. All of our shared ideas were realized here as we worked on the scope, organization, and presentation of this material. We hope that this effort fulfills a need for you and future generations who find the study of design history exciting.

ACKNOWLEDGMENTS

This book has been an enormous endeavor and a formidable challenge. We would like to offer our grateful acknowledgment to those who provided valuable assistance though its development. Special thanks to each of you for all of your wonderful contributions!

To our Prentice Hall/Pearson Education support team who had faith in us and made the book happen: Vern Anthony, Judith Casino, Elizabeth Sugg, Linda Zuk, Denise Brown, and Patsy Fortney.

To our many students who inspired us to undertake this project: those who studied with Buie at Virginia Commonwealth University, the University of Texas at Austin, and North Texas State University; those who studied with Bridget at Marymount University, the University of Georgia at Athens, and Mississippi University for Women; and those who studied with Curt at Winthrop University, San Diego State University, and Washington State University.

To our educational institutions who in various ways supported our efforts: Virginia Commonwealth University, Marymount University, and Winthrop University.

To our friends who offered their expertise, support, resources, interest, and listening ears: Alice Burmeister, Peg De Lamiter, Laura Durfresne, George Fuller, Alan Huston, Dianne Jackman, Philip Moody, Ardis Rewerts, Nancy Templeman, and our family within the Interior Design Educators Council (IDEC).

To our special library resource friends: Carl Vuncannon and his staff at the Bernice Bienenstock Furniture Library in High Point, North Carolina, who opened that resource to us; Suzanne Freeman at the Virginia Museum of Fine Arts in Richmond, who provided a wealth of information; and Ray Bonis in Special Collections, Cabell Library at Virginia Commonwealth University, who provided valuable assistance.

To our individual family members who offered ongoing support, listened to complaints, and provided expertise when needed: Judy Sherman Endeman, Frith Harwood, Robert Harwood, Hope Harwood Liebke, Dottie May, and Henry May. To those early illustrators and photographers who recorded their environments as well as earlier ones of the 18th, 19th; and 20th centuries. As shown herein, their depictions of architecture, interiors, furnishings, and costumes were of enormous value in providing a resource archive of the past.

And, finally, to our wonderful and talented artist and former interior design student: Chris Good. You did a great job!

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